![]() Knight's third solo album, "Good Woman" was released in 1991 on MCA Records (now Geffen Records). Knight recorded the title track for the James Bond movie "Licence To Kill." It became a Top 10 hit in the UK, peaking at #6. ![]() Her solo debut "Miss Gladys Knight" was released in 1978 followed by "Gladys Knight" on Colombia Records. Knight started to record solo material due to legal issues that forced her and The Pips to record separately. She is best known for the hits she recorded during the 1960s and 1970s, for both the Motown and Buddah Records labels, with her group Gladys Knight & the Pips, the most famous incarnation of which also included her brother Merald "Bubba" Knight and her cousins Edward Patten and William Guest. Kleinman was hired by the record company to direct the Gladys Knight music video and did so in such a 007 style that he was subsequently hired to direct Bond's title sequences.Gladys Maria Knight (born in Atlanta, Georgia) is a legendary Ameri… Read Full Bio ↴ Gladys Maria Knight (born in Atlanta, Georgia) is a legendary American R&B/soul singer and actress. It both bid farewell to John Barry, who was unable to score the film and compose the track due to surgery, and it introduced a young Daniel Kleinman to the 007 franchise. The film and its new direction met with very mixed reactions from the critics.ĭespite this limited success, the theme was an important moment in Bond's greater history. The filmmakers, partly pushed by Timothy Dalton's insistence to take the character back to its grittier roots, and particularly because they lacked an original Ian Fleming title to draw source material from, wound up as a revenge mission for 007. Ironically, the film proved to be a move to a darker Bond adventure, with some of the more gruesome scenes committed to celluloid in 007's long history. A Christian and opposed to violence, Knight expressed a worry about her association with the violent implications of song's title. Knight purportedly went into the studio and nailed the song, but she was not particularly comfortable with title, nor the shadow of 007 behind her. Years later Walden would admit that they even paid royalties to the title track composers in order to replicate "bahh-bahh-bahh!" in "Licence To Kill". In order to compose the title track, ultimately sung by Gladys Knight, Walden looked to the famous riff from the opening of the "Goldfinger", which was composed by John Barry and lyrics by Leslie Bricusse and Anthony Newley. ![]() But, back in the late 1980s, the charts were dominated by R&B and soul, and so the producers looked to Narada Michael Walden, one of the men behind the sensational Whitney Huston. The resulting collaboration was never released, and remains well hidden in the EON archives. ![]() The pair couldn't get something together that the EON family were entirely happy with, and so the Broccolis explored other options. Flick was to team up with the blues and rock guitarist, Eric Clapton, whose career dated back to the sixties and Bond's on screen genesis. Flick is famous in Bond lore for playing the guitar that forms the basis for the James Bond theme as far back as 1962. Originally the producers of the Bond franchise turned in-house to a tireless stalwart of Bond music, Vic Flick, to compose the title song. MI6 readers voted in their thousands duringĢ012 to rank all the James Bond title theme songs. ![]()
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